Lucia di Lammermoor musical highlight: The Act II sextet.

In 1839 Donizetti had the opportunity to present his by-then famous and popular Lucia di Lammermoor in Paris. Since the available voices were slightly different from the original casting, what he did was far more than a translation: in many ways it amounts to a reworking of the opera.

Lucia di Lammermoor Star soprano Anna Netrebko adds Donizetti’s hapless heroine to her growing list of Met triumphs in this production by Mary Zimmerman that updates the events to the 19th century.

Lucia di Lammermoor sextet - YouTube.

Watch movie and read libretto and translation of Chi mi frena in tal momento, a sextet for soprano, mezzo, tenor, baritone, bass and tenor, from the Italian opera Lucia di Lammermoor by Gaetano Donizetti.Aside from the famous Mad Scene in the third act, the other crowning glory of Lucia di Lammermoor is the glorious Sextet, which, when performed well, cannot fail to send shivers down the listener’s spine. Donizetti skilfully ensures all six characters have individual musical lines and distinct phrasing to distinguish them from the other five performers. As a result, within this heavenly.Lucia di Lammermoor is only available with a Met Opera on Demand subscription or rental.. Share on Facebook; Share on Twitter; Share Superstar soprano Natalie Dessay lavishes her renowned vocal technique and acting prowess on the iconic title role. Though Lucia and Edgardo (Giuseppe Filianoti) are deeply in love, Lucia’s malevolent brother Enrico (Mariusz Kwiecien) forces her to marry one.


Lucia di Lammermoor is a dramma tragico (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor. Donizetti wrote Lucia di Lammermoor in 1835, a time when several factors led to the height of his reputation as a composer of opera. Gioachino Rossini had recently.Lucia di Lammermoor is a tragic opera by Gaetano Donizetti, loosely based upon Walter Scott's novel The Bride of Lammermoor, and with a libretto by Salvadore Cammarano. The opera is essentially Romeo and Juliet in Scotland. It follows Lucia Ashton and Edgardo di Ravenswood, two Star-Crossed Lovers from opposing houses who are having a secret affair. Then one day, Lucia's brother, Enrico.

Other videos of the same singers performing Spargi d'amaro pianto: 1 - Natalie Dessay 1 - Joan Sutherland. 1 - Diana Damrau 1 - Anna Netrebko. 1 - Joan Sutherland 1 - Anna Netrebko. 1 - Maria Callas. 1 - Joan Sutherland. 1 - Natalie Dessay 1 - Mariella Devia. 1 - Mariella Devia 1 - Natalie Dessay. 1 - Maria Callas 1 - Lisette Oropesa. 1 - Joan.

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The tragic love story of Lucia di Lammermoor follows Lucia and Edgardo, members of opposing houses in Scotland who are carrying on a secret affair. Enrico, Lucia’s brother, forces Lucia to marry another nobleman, Arturo, lying to her, saying that Edgardo has betrayed her and married someone else. Lucia is devastated and, so deep in her grief, that she starts to lose her sanity. Edgardo.

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Donizetti: Lucia di Lammermoor (Deluxe Edition). (the Act I Duet and the Sextet) and often finds an appealing balletic lilt to some of the cabalettas (especially that of the Mad Scene), there are times where he selects tempi that are simply a trifle too fast for the music to be lovingly embraced. This of course adds brilliance to some scenes, but something is lost in the process as well.

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For many years this live performance of Lucia di Lammermoor, recorded on tour in Berlin in 1955 with Callas, Karajan and members of La Scala company, was one of the most prized of all unauthorized sets, offering those of us who weren’t there a chance to sample a sensation and discover why some normally robust critics were robbed of sleep for a week by the experience.

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Lucia di Lammermoor remains one of Donizetti 's most popular works. In the latter part of 1834, Donizetti signed a contract with the Royal Theaters of Naples to compose three operas, the first of which he was to have ready by July of 1835.

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Lucia di Lammermoor Synopsis. ACT I, PART I. Scotland, mid-19th century. An intruder has been spotted at night on the grounds of Lammermoor Castle, home of Enrico Ashton. Normanno, the captain of the guard, sends Enrico’s men off in search of the stranger. Enrico arrives, troubled. His family’s fortunes are in danger, and only the arranged marriage of his sister, Lucia, with Lord Arturo.

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These words open the famous sextet that appears towards the end of act 2 of the opera Lucia di Lammermoor, the masterpiece by Gaetano Donizetti (1797-1848). This sextet represents a moment of introspection in which the action stops and the characters express their thoughts, in the middle of the violence of the scene unfolding before the eyes of the audience. A little later, swords are.

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The tragic love story of Lucia di Lammermoor follows Lucia and Edgardo, members of opposing houses in Scotland who are carrying on a secret affair. Enrico, Lucia’s brother, forces Lucia to marry another nobleman, Arturo, lying to her, saying that Edgardo has betrayed her and married someone else.

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The Met’s HD transmission (February 7, 2009) of Donizetti’s romantic melodrama Lucia Di Lammermoor showed both the best and worst of what this medium (televised opera) offers. Both result from the audience seeing what’s happening on stage. Let’s get the worst over with right away. Mary Zimmerman directed this production.

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